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Museum Of Islamic Art Is Fighting Terror


And a central part of this civilization, he says, is religious and cultural tolerance. The door to the as-Sayyida Zaynab Mosque by Yehudah Aslan is just one example.

Zaynab whose shrine is at the mosque named after her in Old Cairo, was the prophet Muhammad’s granddaughter, and ‘patron saint’ of Cairo.

"We are not against any religion, and welcome anyone who can produce something for the world," said al-Shoky. "This message is short, but powerful, and you can find it in many of our halls."

Umayyad era art (661-750 AD) is introduced with a note of influence from Byzantine, Coptic, and other civilizational sources.

The medicine and science exhibits highlight the contributions of the Christian Bakhtishu family doctors, and the Muslim, Mary the Astrolabe, from the Abbasid era (750-1253 AD).

And the Fatimid era (909-1171 AD) speaks of joint celebrations with ‘Christian fellow citizens’ for the holidays of Epiphany and Maundy Thursday.

Renovations were supported by a £2.1 million equivalent grant from the United Arab Emirates. Additional donations and expertise were shared by the United States, Italy, Germany, Austria, Switzerland, and UNESCO.

Before the explosion, if two hundred visitors came, it would be terrific, al-Shoky said. Since the reopening, the MIA has averaged more than two thousand.


And not only adults. The redesign includes an educational wing for children. Around 150 have come every day.

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